序号 专利名 申请号 申请日 公开(公告)号 公开(公告)日 发明人
101 APPARATUS AND METHOD FOR VIBRATING STRINGED MUSICAL INSTRUMENTS EP06801083.4 2006-08-10 EP1924987A1 2008-05-28 LYE, Agapitus B.
This invention provides apparatus and methods for seasoning stringed musical instruments. For stringed instruments having a bridge, the apparatus comprises an electric vibration generator attached to a bridge cradle, the bridge cradle being sized and configured for detachable attachment to a bridge of the instrument, the bridge cradle comprising a main body portion sized and configured to be placed upon the bridge in sufficient contact therewith to permit the transfer of vibration generated by the vibration generator into the bridge of the instrument. For stringed instruments having a sound hole, the apparatus comprises an electric vibration generator attached to a vibration cradle, the vibration cradle being sized and configured for detachable attachment between the body and strings of the instrument, the vibration cradle comprising a base sized and configured to be placed in sufficient contact with the sound hole to permit the transfer of vibration generated by the vibration generator into the body of the instrument.
102 METAL COMPONENTS FOR STRING INSTRUMENT EP01908292 2001-03-05 EP1376533A4 2005-07-20 GOTO TAKAO
Metal components for a string instrument that are in sliding contacts with strings and other components, wherein a lubricating solid film containing a mixture of nickel and fluororesin is provided on at least slide-contacting portions to thereby prevent rusting and corroding due to deposited sweat and reduce sliding frictional resistance between components.
103 METAL COMPONENTS FOR STRING INSTRUMENT EP01908292.4 2001-03-05 EP1376533A1 2004-01-02 GOTO, Takao

Metal components for a stringed instrument which slide against the string and other components are provided. By providing at least those portions which slide against other components with a lubricating solid coating including a mixture of nickel and a fluorine resin, rusting and corrosion caused by perspiration adhering to those components is prevented. Also, frictional resistance due to the components sliding against each other is reduced.

104 METHOD AND APPARATUS FOR FULLY ADJUSTING AND PROVIDING TEMPERED INTONATION FOR STRINGED, FRETTED MUSICAL INSTRUMENTS, AND MAKING ADJUSTMENTS TO THE RULE OF 18 EP98933092.3 1998-06-30 EP0993669B1 2003-03-26 FEITEN, Howard, B.; BACK, Gregory, T.
The inventors found that after the appropriate Feiten Rule of Compensation was applied, accurate intonation could then be achieved by slight adjustment called tempering. Accurate intonation is hereby defined as intonation which is pleasing regardless of where a player's fingers are on the fret board. The process of tempering is normally restricted to adjusting pianos, and entails adjusting strings by ear until all notes sound pleasing to the ear, in any key, anywhere on the keyboard. As past attempts to temper the guitar have been haphazard, unsystematic, and thus ultimately unsucessful (resulting in poor intonation), the method of using a set of constant tempering offsets is a revolutionary concept in guitar intonation. The tempering process incorporated by the inventors does not consist of random adjustment. Rather, the inventors derived a combination of constant, open-string (unfretted) tuning offsets and intonation offsets (at the 12th fret). The inventors have identified multiple embodiments of constants which serve to intonate any stringed fretted instrument, hereby titled Feiten Temper Tuning Tables.
105 APPARATUS AND METHOD FOR RECORDING MUSIC FROM A GUITAR HAVING A DIGITAL RECORDER AND PLAYBACK UNIT LOCATED WITHIN THE GUITAR EP98935947 1998-07-21 EP0931306A4 2001-07-11 EAGAN CHRIS S
An apparatus and method is disclosed for recording musical sounds generated by a guitar (10) type musical instrument. A mini-disc recorder unit located in and forming a portion of the envelope or housing of the guitar (10) converts the analog output from the guitar (10) into a digital recording for playback use by the musician and/or for generating musical sounds to a listener.
106 DEVICE FOR FORMING CHORDS EP98950220.8 1998-10-29 EP1027696A1 2000-08-16 Wells, Colin
A device for forming chords on stringed musical instruments of the type having a fingerboard, the device comprising means (55, 56) for pressing a plurality of strings on to the fingerboard at a chosen position along the fingerboard, the device being rotatable about said means to raise the pitch of at least one string and to lower the pitch of at least one string relative to the pitch achievable by said means pressing the respective string at the chosen position.
107 METHOD AND APPARATUS FOR FULLY ADJUSTING AND PROVIDING TEMPERED INTONATION FOR STRINGED, FRETTED MUSICAL INSTRUMENTS, AND MAKING ADJUSTMENTS TO THE RULE OF 18 EP98933092.3 1998-06-30 EP0993669A1 2000-04-19 FEITEN, Howard, B.; BACK, Gregory, T.
The inventors found that after the appropriate Feiten Rule of Compensation was applied, accurate intonation could then be achieved by slight adjustment called tempering. Accurate intonation is hereby defined as intonation which is pleasing regardless of where a player's fingers are on the fret board. The process of tempering is normally restricted to adjusting pianos, and entails adjusting strings by ear until all notes sound pleasing to the ear, in any key, anywhere on the keyboard. As past attempts to temper the guitar have been haphazard, unsystematic, and thus ultimately unsucessful (resulting in poor intonation), the method of using a set of constant tempering offsets is a revolutionary concept in guitar intonation. The tempering process incorporated by the inventors does not consist of random adjustment. Rather, the inventors derived a combination of constant, open-string (unfretted) tuning offsets and intonation offsets (at the 12th fret). The inventors have identified multiple embodiments of constants which serve to intonate any stringed fretted instrument, hereby titled Feiten Temper Tuning Tables.
108 A device for cleaning the strings of electric and acoustic stringed instruments EP85303468.4 1985-05-17 EP0168142A1 1986-01-15 Gentile, Joseph Paul, Jr.

A hand-held device for cleaning the strings (231 to 241) of an electrical and acoustical guitar (70) is disclosed which deans in between the windings and all around the surface of strings simultaneously and easily while on the instrument. The device comprises a support (20) with a slot (22) at one end and a Velcro fastener at the other, and a cloth (6) having Velcro fasteners at each end. In use the cloth is doubled over one one side of the support with the strings lying between the cloth layers. The Velcro fasteners hold the cloth in place at one end of the support and the cloth is held at the other end of the support by being looped through the slot. The cloth includes three bands (7, 8, 9) for applying a solvent, scrubbing the strings, and cleaning respectively.

109 音色調節部材 JP2016538596 2014-11-25 JP6307614B2 2018-04-04 イ、キュ フン
110 弦楽器用板材の製造方法 JP2013219355 2013-10-22 JP6156053B2 2017-07-05 曽我 一樹; 山崎 稔久; 平工 達也; 中谷 宏; 宮澤 憲一
111 弦楽器用板材の製造方法 JP2013219354 2013-10-22 JP6146258B2 2017-06-14 曽我 一樹; 山崎 稔久; 平工 達也; 中谷 宏; 宮澤 憲一
112 電気弦楽器 JP2012237815 2012-10-29 JP6094147B2 2017-03-15 齊藤 金洋; 鶴橋 啓之
113 弦楽器および類似の楽器の音増幅のための可搬型音響機器 JP2015540967 2013-07-18 JP2016504613A 2016-02-12 マーカス ライス エセリン ビアンカルディニ,
本発明は、主音源がはじかれた、打たれた、または擦られたときの張設された弦の振動である弦楽器からの音の増幅を提供し、弦楽器または類似の楽器の音を増幅するのに使用される、可撓性の基部(03)と有孔の音出部(07)とを備えた音響箱(02)を含む可搬型音響機器(01)からなり、PCIアンプ基板(04)、電源バッテリー(05)、スピーカ音アンプ(06)、サブウーファ(08)、音入出力コネクタ(09および10)、およびLED光を有するOn/Offコネクタ(11)などの動作機器、ならびに下部に設置されたP10プラグ(12)または類似物およびiPhoneなどのスマートフォン用もしくはiPod用のコネクタ(13)または類似物および/またはUSBコネクタ(14)を内部に含む、ある種の音響増幅共鳴箱に関する。【選択図】図4
114 弦楽器用板材、弦楽器用板材の製造方法および弦楽器 JP2013219355 2013-10-22 JP2015082000A 2015-04-27 曽我 一樹; 山崎 稔久; 平工 達也; 中谷 宏; 宮澤 憲一
【課題】効率よく製造でき、素材の歩留まりが高く、しかも、密度のばらつきが小さく、肉厚が部分的に異なり、一方の面側に凸状に湾曲された形状を有し、形状安定性に優れ、優れた音響特性が得られる表板または裏板を構成する弦楽器用板材およびその製造方法を提供する。
【解決手段】弦楽器用板材10は、肉厚を部分的に小さくする凹部34が設けられた単板3からなり、単板3は一方の面側に凸状に湾曲されている。単板3の繊維の延在方向が湾曲形状に沿う方向に揃えられていてもよい。
【選択図】図1
115 Acoustic resistance material and manufacturing method of acoustic resistance material JP2010272416 2010-12-07 JP2012124641A 2012-06-28 AKINO YUTAKA
PROBLEM TO BE SOLVED: To provide an acoustic resistance material having little variations in a hole area of an air shutoff layer, eliminating variations in an acoustic resistance value of the acoustic resistance material, and having an accurate acoustic resistance value; and a manufacturing method of the acoustic resistance material comprising a simple manufacturing process and saving costs.SOLUTION: An acoustic resistance material 10 comprises: an air shutoff layer 1 which prevents an acoustic wave from being transmitted by shutting off air; and an acoustic resistance layer 2 which transmits the acoustic wave as acoustic resistance by allowing an air flow. The air shutoff layer 1 is constituted by a resin containing a colored dye and is partially removed.
116 Cleaning tool for cleaning of instruments made of metal strings JP2003571009 2003-02-25 JP4241388B2 2009-03-18 ビアボウム,ジャイルズ,ジョン,クリスチャン
117 Apparatus and method for vibration stringed instruments JP2008526172 2006-08-10 JP2009505137A 2009-02-05 ライ,アガピタス・ビー
本発明は、弦楽器をシーズニングするための装置と方法を提供する。 ブリッジを有する弦楽器のために、装置はブリッジ・クレードルに取付けられた電気振動発生器を有しており、このブリッジ・クレードルは楽器のブリッジに取外し可能に取付けられる寸法と構成になっている。 ブリッジ・クレードルはメイン・ボディ部を有しており、このメイン・ボディ部は、振動発生器が発生した振動を楽器のブリッジに伝達するのに十分な接触をするようにブリッジ上に設置されるための寸法と構成になっている。 サウンド・ホールを有する弦楽器のために、装置は、振動クレードルに取付けられた電気振動発生器を有し、この振動クレードルは楽器のボディと弦の間に取外し可能に取付ける寸法と構成になっていて、この振動クレードルが有するベースは、振動発生器が発生した振動を楽器のボディに伝達できるようにサウンド・ホールと十分接触して設置される寸法と構成になっている。
118 Apparatus for generating a chord JP2000519418 1998-10-29 JP4131903B2 2008-08-13 ウェルス,コリン
119 弦楽器用金属部品 JP2002572561 2001-03-05 JPWO2002073590A1 2004-07-02 後藤 孝夫; 孝夫 後藤
弦または他の部品と摺接する弦楽器用金属部品である。少なくとも摺接する部分にニッケルとフッ素系樹脂の混合物を含む潤滑性固体被膜を設けることにより、汗の付着による錆や腐食の発生を防止するとともに、部品どうしの摺動摩擦抵抗を低減した。
120 To a method and apparatus for tuning the fret with a stringed instrument, and 18 to a method and apparatus for adjusting the instrument to the rules of JP50737099 1998-06-30 JP2002508087A 2002-03-12 バック,グレゴリー・ティ; フェイテン,ハワード・ビー
(57)【要約】 本発明者らは、フェイトンの補正規則を適用した後、僅かな調律によって正確な音程が得られることを知見した。 正確な音程はイントネーションとして定義され、これは演奏者の指がフレットボードのどこにあるかに拘わらず、心地よいものである。 通常、調律方法はピアノの調整に限られ、いずれのキー、キーボード上のいずれの場所でも、すべての音がに心地よく響くように、耳を使って弦を調整するものである。 従来のギターの調律はでたらめで、組織的でなく、そのために上手くいかない(音程不良を伴う)ものであった。 これに対し、一連の音程ずれを利用する方法は、ギターの調律において革命的なものである。 本発明者らによって導入された調律方法は、ランダムな調整ではない。 反対に、発明者らは、開放弦(フレット付けされていない弦)のチューニングずれと音程ずれ(第12フレットでの音)の組み合わせを導き出した。 本発明者らは、多数の定数例を示し、これはフレット付き弦楽器を調律するために役立つもので、フェイトンの調律表と名付けられている。
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