首页 / 国际专利分类库 / 物理 / 乐器;声学 / 电声乐器 / 从数据存储器合成音调的乐器,例如计算机控制管风琴 / .利用计算函数或多项式近似法计算在音调波形的连续取样点上的幅度
序号 专利名 申请号 申请日 公开(公告)号 公开(公告)日 发明人
1 用于改变音频信号音质和/或进行音调控制的方法和装置 CN96190038.5 1996-01-18 CN1145679A 1997-03-19 布赖恩·查尔斯·吉布森; 克里斯托弗·迈克尔·朱宾; 布赖恩·约翰·罗登
一种用于调整输入信号的音质和/或音调的方法,将输入信号在第一速率采样并将其贮存于存储缓冲器122中。数字信号处理器180将贮存的输入信号区别于第一速率重新采样,输入音符以该速率被原始采样,并将该重新采样的输入信号贮存在第二存储缓冲器128中。通过一个窗函数196、134用音调改变器200对该重新采样的输入信号进行定标,可以改变该重新采样的输入信号的音调从而产生一个输出信号。重新取样的数据以该速率被窗函数再现,该速率能决定输出信号的音调。
2 一种基于音频识别的乐器教学辅助方法 CN201610544855.X 2016-07-12 CN106228965A 2016-12-14 赵倩仪
发明公开了一种基于音频识别的乐器教学辅助方法,包括如下步骤:S1:根据音高与音频一一对应的关系,预设正确演奏数据库;S2:通过话筒来拾取乐器实时演奏的乐音;S3:对拾取的乐音的演奏音符端点进行实时检测,计算出演奏音符的实际音高,并进行单音分隔,计算演奏音符的时长,完成时值检测;S4:根据实际音高计算与其对应的实际音频,并将实际音频和时值与预设的正确演奏数据库进行匹配,计算匹配度并输出;S5:返回步骤S1。本发明通过软件辅助教学,通过计算机软件直接来评定学生演奏平,并能实时给出评分反馈。
3 音调信号发生器 CN91108664.1 1991-09-04 CN1059615A 1992-03-18 神月宏一; 冈村和久; 市来哲二
发明为一种音调信号发生装置,包括:提供了以下几个部分波形产生部分,产生与指定音调高度相应频率的波形取样数据;系数产生部分,产生相应于希望内插特性的n个系数;特性控制部分,改变在系数产生部分所生成的系数,从而可变地控制内插特性;以及内插操作(运算)部分,将系数与n个顺序来自波形产生部分的数字波形取样数据进行操作(运算)并将所得到的结果合成,产生一个取样数据。
4 用于改变音频信号音质和/或进行音调控制的方法和装置 CN96190038.5 1996-01-18 CN1106001C 2003-04-16 布赖恩·查尔斯·吉布森; 克里斯托弗·迈克尔·朱宾; 布赖恩·约翰·罗登
一种用于调整输入信号的音质和/或音调的方法,将输入信号在第一速率采样并将其贮存于存储缓冲器122中。数字信号处理器180将贮存的输入信号区别于第一速率重新采样,输入音符以该速率被原始采样,并将该重新采样的输入信号贮存在第二存储缓冲器128中。通过一个窗函数196、134用音调改变器200对该重新采样的输入信号进行定标,可以改变该重新采样的输入信号的音调从而产生一个输出信号。重新取样的数据以该速率被窗函数再现,该速率能决定输出信号的音调。
5 音调信号发生器 CN91108664.1 1991-09-04 CN1022071C 1993-09-08 神月宏一; 冈村和久; 市来哲二
发明为一种音调信号发生装置,包括:提供了以下几个部分波形产生部分,产生与指定音调高度相应频率的波形取样数据;系数产生部分,产生相应于希望内插特性的n个系数;特性控制部分,改变在系数产生部分所生成的系数,从而可变地控制内插特性;以及内插操作(运算)部分,将系数与n个顺序来自波形产生部分的数字波形取样数据进行操作(运算)并将所得到的结果合成,产生一个取样数据。
6 PROCEDE DE CARACTERISATION DU TIMBRE D'UN SIGNAL SONORE SELON AU MOINS UN DESCRIPTEUR EP02799430.0 2002-09-26 EP1438707A2 2004-07-21 PEETERS, Geoffroy; McADAMS, Stephen; KRIMPHOFF, Jochen; SUSINI, Patrick; MISDARIS, Nicolas; SMITH, Bennett
The invention concerns a method for characterizing in accordance with at least a descriptor, the timbre of a time-variable sound signal (s(t) for a duration D, which consists in defining said descriptor by the harmonic spectral scope of the signal.
7 Programmable melody generator EP01401385.8 2001-05-28 EP1262952A1 2002-12-04 Dassot, Gilles; Le-Faucheur, Laurent

A digital system and method of operation is provided in which musical notes and melodies are synthesized. The operation done for music synthesis is based on time domain processing of prerecorded waveforms, referred to as analysis waveforms. The computations are done using time-marks, which is a set of digital sample positions of the analysis waveform (400) indicating the starting position of each period of the fundamental frequency or an arbitrary position for non-periodic analysis waveforms. The algorithm defines on a time scale the time-marks of the synthesis waveform (410). The synthesis is based on making a relation between the analysis time-marks and the synthesis time-marks. The synthesis waveforms (410) are built with the extraction of small portions of signal located at corresponding time-mark positions of the analysis waveform and adding them to the corresponding synthesis time-marks on the synthesis time-scale. This extraction is done with the multiplication of a windowing pattern, such as a cosinous Hanning window (420-422), to the analysis samples.

8 Data processing apparatus for electronic musical instruments EP89124128.3 1989-12-29 EP0376342B1 1994-07-27 Shiba, Kosuke Patent Dpt.Dev. Div. Hamura R&D Cent; Daigo, Koichiro Patent Dpt.Dev. Div. Hamura R&D Ce; Ogura, Kazuo Patent Dpt.Dev. Div. Hamura R&D Cent.; Usami,Ryuji Patent Dpt.Dev. Div. Hamura R&D Cent.
9 Real time digital additive synthesizer EP89630205.6 1989-11-16 EP0370942A3 1991-01-09 Stevenson, John D.

A digital synthesizer includes an input transducer (101) for accepting input signals from a musician representing at least the desired fundamental pitch and timbre. The synthesizer has timbre storing circuitry for storing data representing a plu­rality of selectable timbres, including relative pitch data for a plurality of sets of partials and a plurality of sets of amplitude data, the partials and the amplitudes being inde­pendently selectable. Waveform determining circuitry deter­mines sequential values of the musical waveform in real time from the timbre data, from the timbre selected by the musi­cian, and from the pitch selected by the musician. The wave­form determining circuitry includes a first adder (201) for additively determining the phase of each partial of the se­lected timbre and is responsive to the relative partial pitch data to determine that phase. It also includes a se­cond adder (204) for summing the magnitudes of all the par­tials for the selected timbre at each predetermined time interval to generate the magnitude of the musical waveform at that instant.

10 전자악기용 악음신호 발생장치 KR1019890020242 1989-12-29 KR1019930005221B1 1993-06-16 시바고우스께; 다이고고우이찌로; 우사미류지; 오구라가즈오
11 오디오 신호의 음색 및/또는 피치를 변화시키기 위한 방법 및 장치 KR1019960705167 1996-01-18 KR100368046B1 2003-03-15 깁슨브라이언찰스; 쥬비앙크리스토퍼마이클; 로뎅브라이언존
A method for shifting the timbre and/or pitch of an input signal samples the input signal at a first rate and stores the samples in a memory buffer. A digital signal processor resamples the stored input signal at a rate that differs from the first rate at which the input note is originally sampled and stores the resampled input signal in a second memory buffer. A pitch shifter shifts the pitch of the input signal by periodically scaling the resampled input signal by a window function to create an output signal. The rate at which the resampled data is replicated by the window function determines the pitch of the output signal.
12 악음신호발생장치 KR1019910014928 1991-08-28 KR100150223B1 1998-12-15 고즈끼고이찌; 오까무라가즈히사; 이찌끼데쯔지
디지탈필터연산을 사용한 파형보간연산에 의해 순조로운 파형의 악음신호를 발생하는 악음신호 발생장치에 관한 것으로써, 필터특성의 이동방지와 귀환노이즈의 확실한 제거를 위해, 발생해야할 악음의 음높이를 지정하는 음높이 지정수단, 지정된 음높이에 대응하는 주파수로 디지탈파형샘플데이타를 발생하는 파형발생수단, 바라는 보간특성에 대응하는 n개의 계수를 발생하는 계수발생수단, 음높이 지정수단에서 지정된 음높이에 따라서 계수발생수단에서 발생하는 계수를 변화시키고, 보간특성을 가변제어하는 특성제어수단 및 파형발생수단에서 순차로 발생되는 n개의 디지탈파형샘플데이타에 대해서 계수를 각각 연산하고, 이것을 합성해서 1샘플의 데이타를 작성하는 보간연산을 수단을 포함한다. 이러한 장치를 이용하는 것에 의해 필터특성을 제어할 수 있어 음높이에 따르는 필터특성의 이동을 방지할 수 있으며, 또한 귀환노이즈를 확실하게 제거할 수있다.
13 VERFAHREN ZUR SYNTHETISCHEN ERZEUGUNG EINES DIGITALEN AUDIOSIGNALS EP15707298.4 2015-02-09 EP3105753B1 2018-01-31 BOCHMANN, Johannes
14 VERFAHREN ZUR SYNTHETISCHEN ERZEUGUNG EINES DIGITALEN AUDIOSIGNALS EP15707298.4 2015-02-09 EP3105753A1 2016-12-21 BOCHMANN, Johannes
The invention relates to a method for the synthetic generation of a digital audio signal by means of periodic sampling of a waveform to permit the user particularly simple and intuitive access to the changing and creative transformation of the waveform on which the sampling is based. For this purpose, according to the invention, the waveform is specified by using control points which, in addition to position parameters, can contain further attributes, of which the parameters and attributes can be changed individually over time by means of control signals or spontaneous intervention. The control point values which result in this way can be interpreted either as direct amplitude-period phase pairs, as magnitude-frequency pairs, or as phase-frequency pairs. A continuous waveform is generated by interpolation or approximation of the control points and the parameters/attributes of the latter, which assume a time-specific value depending on the current control signals and other influences, and can be used for further processing, e.g. spectral band limiting.
15 Verfahren zur synthetischen Erzeugung eines digitalen Audiosignals EP14154741.4 2014-02-11 EP2905774A1 2015-08-12 Bochmann, Johannes

Ein Verfahren zur synthetischen Erzeugung eines digitalen Audiosignals durch periodische Abtastung einer Wellenform soll dem Nutzer einen besonders einfach gehaltenen und intuitiven Zugang zur Veränderung und kreativen Umgestaltung der der Abtastung zugrunde gelegten Wellenform ermöglichen. Dazu wird erfindungsgemäß die Wellenform aus einer Anzahl von zeitlich aufeinanderfolgenden, jeweils durch eine segmentspezifische Linearkombination aus einer Anzahl von Basisfunktionen definierten Wellensegmenten (32) zusammengesetzt, wobei die Linearkoeffizienten für jedes Wellensegment (32) derart gewählt werden, dass das jeweilige Wellensegment (32) an seinen Segmenträndern (34) jeweils vorgebbare, veränderbare Amplitudenrandwerte aufweist.

16 METHOD AND APPARATUS FOR CHANGING THE TIMBRE AND/OR PITCH OF AUDIO SIGNALS EP96900481.1 1996-01-18 EP0750776B1 2001-09-05 GIBSON, Brian, Charles; JUBIEN, Christopher, Michael; RODEN, Brian, John
17 Tone signal generation device EP86104867.6 1986-04-09 EP0199192B1 1995-09-13 Mitsumi, Katoh c/o Nippon Gakki Seizo K.K.; Tokuji, Hayakawa c/o Nippon Gakki Seizo K.K.
18 Verfahren zur Klangerzeugung mit einem elektronischen Musikinstrument und elektronisches Musikinstrument EP91104137.4 1991-03-18 EP0448010A2 1991-09-25 Franz, Reinhard; Scheidegger, Christian, Dipl.-Phys.; Wachter, Heino, Dipl.-Ing.; Spindeler, Udo, Dipl.-Inform.

Es wird ein Verfahren zur Klangerzeugung mit einem elektronischen Musikinstrument und ein elektronisches Musikinstrument angegeben, bei dem in einem Vorbereitungsabschnitt Klangmuster in einer Speichereinrichtung (7) in Form von Abtastwerten digital gespeichert werden und in einem Klangerzeugungsabschnitt die Abtastwerte aus der Speichereinrichtung (7) ausgelesen werden, in einem Interpolationsfilter digital interpoliert werden und digital-analog gewandelt werden, wobei bei der digitalen Interpolation eine Dämpfung unterhalb der Sperrfrequenz des Interpolationsfilters zugelassen wird und im Vorbereitungsabschnitt die früher frequenten Anteile der Klangmuster, die im Interpolationsfilter gedämpft werden, vor der Speicherung verstärkt werden.

19 Electrical musical instruments and methods of generating musical tones EP81304376.7 1981-09-23 EP0050917B1 1985-03-27 Bass, Steven C.
20 Electrical musical instruments and methods of generating musical tones EP81304376.7 1981-09-23 EP0050917A1 1982-05-05 Bass, Steven C.

A tone generation system intended primarily for use in electronic musical instruments wherein a digital representation of a harmonically rich waveform is sampled, and a musical tone is produced therefrom. The stored waveform could be the four-term Blackman-Harris window function, which has negligible sidelobes and thus greatly attenuated higher harmonics. The stored function is read out at a fixed rate, but the time periods between successive readings of the waveform are varied to thereby vary the frequency of the output signal. Harmonic content is varied by adjusting the amplitudes of successive waveforms in the waveform train, which has the resultant effect of producing harmonics of selectable amplitudes.

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